Comparing Confucianism and Christianity Essay - 1140 Words

Comparing Confucianism and Christianity The premise of Confucian teachings are centered around the idea of Jen or the  ³virtue of humanity (Ching 68). ² To accomplish this divinity, five relationships must be honored: ruler and minister, father and son, husband and wife, elder and younger brother, and friend and friend (Hopfe). These relationships led a push for a revolution of the political system to adopt the methods of Jen. Confucius sought to revive the ancient Chinese culture by redefining the importance of society and government. He described a society governed by  ³reasonable, humane, and just sensibilities, not by the passions of individuals arbitrarily empowered by hereditary status ² (Clearly). He felt that this†¦show more content†¦Several scholars believe that his Heaven was analogous to the God unto which Christians served. Christians feel that in order to also gain a Jen-like status one must have a serious relationship with the church and Jesus Christ himself. Confucius differed in that they feel that the body, mind and soul must be recognized as one to reach Jen (Smith). Through education or ritual practices one gains wealth. With wealth one achieved power. These are the essentials to living a good life (OBrià ©re). However, relationships between men is the most desirable. These aspects are the embodiment of Li. Li was love for authority and respect for others (Alexander). Christianity also looks at wealth in a slightly different manner.  ³At the heart of the Christian faith and at its source of its traditions in Scripture is the belief in a covenant (Carmen 17). ² It is the promise between God and the individual that ensures (through faith) that ones kindly actions on Earth will be divinely awarded. The five relationships of Jen are also honored in Christianity with references to  ³Honor thy father and mother, for this is the first commandment with promise (Ephesians 6:1). ² It is prevalent that Christianity and Confucius are very similar in their philosophy. Some would argue that Confucius lack of a strong theology is its failure to comply with the Christian ethics. Others would say it is thereShow MoreRelatedConfucianism : The Way Of Propriety1265 Words   |  6 PagesConfucianism stands hand in hand with Daoism, as one of the two great philosophical religions of China, but is considered one of the Three Teachings; Daoism and Buddhism are the other two. Derived from the Chinese teachings of the philosopher Confucius, Confucianism focuses more on ethical living and moral conduct; emphasizing earthly and not heavenly. Even though it is referred to as a religion, Confucianism is often considered to be an ethical system. There are four common aspects when comparedRead MoreSocial Philosophy Of Confucianism1398 Words   |  6 PagesConfucianism was founded by the philosopher Confucius who was born in 551 in the Lu state of China (Biography.com Editors 2017). Confucius’s teachings focused on creating ethical models of family and public interactions and setting educational standards (Biography.com Editors 2017). Confucius died in 479 B.C., but Confucianism became the official imperial philosophy of China and its influence was significant during the Han, Tang and Song Dynasties (Biography.com Editors 2017). Confucius’s philosophyRead More Comparing the Philosophy of Life in Christianity and Chinese Buddhism820 Words   |  4 PagesComparing the Philosophy of Life in Christianity and Chinese Buddhism Chinese Philosophy not only is the fruit of thinking of the Chinese nation, but also is the important component part of world culture. In Chinese philosophy, there are three main parts: Confucianism, Buddhism and Taoism. Among them, Chinese Buddhism, which came from India, experienced a course of sinicization under the influence of Chinese traditional culture represented mainly by Confucianism and Taoism , so it keeps theRead MoreDifferences Between South Korea And Japan1535 Words   |  7 PagesKorea and Japan belong to the Chinese cultural circle. And both are influenced by the Chinese Confucianism. Secondly, both South Korea and Japan introduced Western ideas in their history of the development of political culture, which is Christianity. So the political culture of the two countries are mixed by not only the Eastern and Western cultures, but also traditional values and modern ideas. So comparing South Korea and Japan, both similar and differences are in their political culture, which couldRead MoreTaoism And The Philosophy Of Tai Chi Chuan1482 Words   |  6 Pagesthe ancient philosophy. 3) http://www.uni-giessen.de/~gk1415/taoism.htm Eastern Philosophy- Taoism. Eastern Philosophy- Taoism. N.p., n.d. Web. 01 Nov. 2015. This article compares Taoism to other eastern philosophies. This will be helpful in comparing Taoist beliefs and others eastern religions. These difference may hold valuable insight for how Taoism spread. 4) http://www.artic.edu/taoism/menu.php Taoism and the Arts of China (Art Institute of Chicago). Taoism and the Arts of China (Art InstituteRead MoreThe As A System Of Government That Impacts The Values And Interpersonal Relationships Of Its Citizens Essay1701 Words   |  7 Pageseither religious or philosophical doctrine. A few famous examples are Christianity in the Western world, and Confucianism in the East. The latter transcends religion, for Confucius teachings influence daily interaction between people on every level of society. More significantly, it demands a hierarchy within families that centers on expressing respect for the male head of house. In order to better understand the role Confucianism plays in eastern society, it is crucial to examine its history andRead MoreConfucianism, Hinduism, Buddhism, And Platonism1045 Words   |  5 Pagesthis essay, I’ll be comparing and contrasting the four views of human nature that we have studied so far – Confucianism, Hinduism, Buddhism, and Platonism – critically examining their similarities and differences. Also, I’ll be explaining which one I think provides the most plausible understanding of what we are. First, I will introduce each of the four views of human nature by defining them. Then, I will elaborate and thoroughly explain what each one claims that we are. Confucianism is a system of philosophicalRead MoreAn Interpretation Of Religion By David Nah865 Words   |  4 Pagesone’s good deeds should outweigh the bad deeds. †¢ Christianity: The belief of one God whom created humanity to have a personal relationship but sin separates the bond. To accept salvation one must place absolute faith and believe in Jesus and the sacrificial act for man’s sin (New International Version, Ro. 10.9-10). How is Christianity different among other religions? Comparing not only the religions mentioned but others such as Shamanism, Confucianism or New Age all share commonality of self-improvementRead MoreThe Japanese Political System Essay1057 Words   |  5 Pagesfeatures of the Confucian system. Confucianism tended to be overshadowed by Buddhism until the appearance of the centralized Tokugawa system in the 17th century. However, as an organized philosophy, Confucianism didn’t survive the great transition of the late 19th century. But even if many Japanese aren’t Confucianists, the Confucian moral values are continuing to influence their thinking. Furthermore, Buddhism is the Japanese religion that was very similar to Christianity, it also concerns about the afterlifeRead MoreReligion And Aesthetics Of Buddhism1276 Words   |  6 Pagesbusinesses. There are many different religions in China including Buddhism, Christianity, Jewish, Muslim, Hindu, and many other folk rel igions. However, the two most prominent religions are Buddhism and Confucianism. The teachings of both Buddhism and Confucianism promote harmony to achieve inner peace. In Buddhism people are taught that they should observe the local customs and laws, to live in harmony. While in Confucianism, harmony is the basis of the family. Influenced by the two faiths, the Chinese

Analysis Of Sandra Cisneros s The House On Mango Street

Gender role plays an important role in Sandra Cisneros’s novel The House on Mango Street. The role of women in a patriarchal society is one of the most important themes in the novel. The main character Esperanza, along with other women have to face a lot of difficulties caused by gender inequality. Esperanza s disappointment begins as she moves into the new community and witness the way women are treated. Cisneros introduces gender stereotypes to demonstrate to the reader that gender roles can create barriers for women which affects their self-definition, their desires and their decision of improvement and development. In my opinion, the novel revolves around women’s dreams, self-determination and Esperanza’s courage to break the gender stereotypes and empower each other in spite of facing sexual assault and not being able to live a joyous life. Gender role is represented as a social construction in The House on Mango Street. Men are depicted as a solid figure and are looked as a primary force while women are looked down upon and are treated as a sex object. Out of all the female character in the novel, Esperanza is distinctive. She does not see a future where she is subject to anybody. She has interminable dreams of her own. Her dreams of â€Å"having a house of her own† (pg. 4) starts at a very young age. As she moves into the new neighborhood in the Mango Street, she gets baffled since it is not the house her parents talked about and also not the real one’s she has seen onShow MoreRelatedAnalysis Of Sandra Cisneros s The House On Mango Street Essay1075 Words   |  5 PagesSara Fitzsimmons Meola English 2 Honors 6 September 2016 Get Out In Sandra Cisneros novel The House on Mango Street the characters experience the challenges of growing up in a society full of racism, discrimination, and class distinction. Their experience is exceedingly similar to people in urban areas and cities today. Both the protagonist Esperanza, a young teen and people in today’s hispanic cities experience discrimination making progression in life challenging. The indifferent attitudes regardingRead MoreAnalysis Of Sandra Cisneros s The House On Mango Street 1506 Words   |  7 Pagesperson is important, but how much did it affect them is also crucial. In Sandra Cisneros novel, entitled The House on Mango Street,the story depicts a Latina girl who transform throughout her time being on Mango Street. The girl named Esperanza is to faced obstacles of female oppression that she witnesses in the life of women on her street who they depends on men to bring them out of the street. In The House on Mango Street, Cisneros uses characteriza tion to express the idea that Esperanza changes dueRead MoreAnalysis Of The House On Mango Street1051 Words   |  5 Pages Analysis of The House on Mango Street By: Sandra Cisneros Carley Deklotz GWSS:1001:0A02 Professor Sue Stanfield The environment people grow up in can have a huge impact on their identity and who they become. In the novel, The House on Mango Street, the author tells a series of short stories through the eyes of Esperanza Cordero. Esperanza is a young Latina growing up in Chicago, and through her stories shows the reader her environment and how in affects her. Things like gender roles, sexualRead MoreBiography of Sandra Cisneros1459 Words   |  6 Pagesfrightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to themRead MoreChron icle Of A Death Foretold By Gabriel Garcia Marquez1492 Words   |  6 Pagessame outlet of writing that has yielded a larger audience. Authors who have taken to the art of writing to express themselves are Sandra Cisneros and Julia Alvarez authors of both The House on Mango Street and In the Time of the Butterflies. To better understand the difference of those born in Latin America and In the those from Latin America, there must be an analysis of both works by different authors as well as scholarly articles.With the use of these lenses it can be seen that the writing stylesRead MoreLiterary Analysis Of The House On Mango Street1163 Words   |  5 PagesEzra Collins English 9: Tetlak Literary Analysis: The House on Mango Street November 3, 2017 Remember Where Your From The House on Mango Street On average 40,093,000 people in the United States move annually. In the book The House on Mango Street the main character Esperanza and her family are included in this number. They Come very poor roots, and they don t have much money. They move often, one day dreaming to live in a real house, one they don t have to share, one with their own yard, withRead MoreLiterary Criticism : The Free Encyclopedia 7351 Words   |  30 Pagesnovel is sometimes used interchangeably with Bildungsroman, but its use is usually wider and less technical. The birth of the Bildungsroman is normally dated to the publication of Wilhelm Meister s Apprenticeship by Johann Wolfgang Goethe in 1795–96,[8] or, sometimes, to Christoph Martin Wieland s Geschichte des Agathon of 1767.[9] Although the Bildungsroman arose in Germany, it has had extensive influence first in Europe and later throughout the world. Thomas Carlyle translated Goethe’s novel

Night World Soulmate Chapter 5 Free Essays

Hana turned and hurried up the riverbank. The woman screaming was Sada, her mother’s sister^ and the girl who was stumbling beside her was Ryl, Hana’s little cousin. Ryl was a pretty girl, ten years old. We will write a custom essay sample on Night World : Soulmate Chapter 5 or any similar topic only for you Order Now But right now she looked dazed and almost unconscious. And her neck and the front of her leather tunic were smeared with blood. â€Å"What happened?† Hana gasped, running to put her arms around her cousin. â€Å"She was out looking for new greens. I found her lying on the ground-I thought she was dead!† Sada’s face contorted in grief. She was speaking rapidly, almost incoherently. â€Å"And look at this-look at her neck!† On Ryl’s pale neck, in the center of the blood, Hana could just make out two small marks. They looked like the marks of sharp teeth-but only two teeth. â€Å"It had to be an animal,† Ket breathed from behind Hana. â€Å"But what animal only leaves the marks of two teeth?† Hana’s heart felt tight and oddly heavy at once- like a stone falling inside her. Sada was already speaking. â€Å"It wasn’t an animal! She says it was a man, a boy! She says he threw her down and bit her-and he drank her blood.† Sada began to sob, clutching Ryl to her. â€Å"Why would he want to do that? Oh, please, somebody help me! My daughter’s been hurt!† Ryl just stared dazedly over her mother’s arm. Ket said faintly, â€Å"A boy†¦Ã¢â‚¬  Hana gulped and said, â€Å"Let’s take her to Old Mother †¦Ã¢â‚¬  But then she stopped and looked toward the river. The men were driving the stranger up the bank. He was snarling, terrified and angry-but when he saw Ryl, his expression changed. He stared at her, his wounded animal eyes sick and dismayed. To Hana, it seemed as if he could hardly stand to look at her, but he couldn’t look away. His gaze was fixed on the little girl’s throat. And then he turned away, his eyes shut, his head falling into his hands. Every movement showed anguish. It was as if all the fight had gone out of him at once. Hana looked back and forth in horror from the girl with blood on her throat to the stranger with blood on his mouth. The connection was obvious and nobody had to make it out loud. But why? she thought, feeling nauseated and dizzy. Why would anybody want to drink a girl’s blood? No animal and no human did that. He must be a demon after all. Arno stepped forward. He gripped Ryl’s chin gently, turning her head toward the stranger. â€Å"Was he the one who attacked you?† Ryl’s dazed eyes stared straight ahead-and then she suddenly seemed to focus. Her pupils got big and she looked at the face of the stranger. Then she started screaming. Screaming and screaming, hands flying up to cover her eyes. Her mother began to sob, rocking her. Some of the men began to shout at the stranger, jabbing spears at him, overcome with shock and horror. All the sounds merged together in a terrifying cacophony in Hana’s head. Hana found herself trembling. She reached automatically for little Ryl, not knowing how to comfort her. Ket was crying. Sada was wailing as she held her child. People were streaming out of the limestone cave, yelling, trying to find out what all the noise was about. And through it all, the stranger huddled, his eyes shut, his face a mask of grief. Arno’s voice rose above the others. â€Å"I think we hunters know what to do with him. This is no longer a matter for shamans!† He was looking at Hana as he said it. Hana looked back. She couldn’t speak. There was no reason for her to care what happened to the stranger-but she did care. He had hurt her cousin†¦ but he was so wretched, so unhappy. Maybe he couldn’t help it, she thought suddenly. She didn’t know where the idea came from, but it was the kind of instinct that made Old Mother say she should be a shaman. Maybe †¦ he didn’t want to do it, but something drove him to. And now he’s sorry and ashamed. Maybe†¦ oh, I don’t know! Still trembling, she found herself speaking out loud again. â€Å"You can’t just kill him. You have to take him to Old Mother.† â€Å"It’s none of her business!† â€Å"It’s her business if he’s a demon! You’re just co-leader, Arno. You take care of the hunting. But Old Mother is the leader in spiritual things.† Arno’s face went tight and angry. â€Å"Fine, then,† he said. â€Å"We take him to Old Mother.† Jabbing with their spears, the men drove the stranger into the cave. By then, most of the people of the clan had gathered around and they were muttering angrily. Old Mother was the oldest woman in the clan- the great grandmother of Hana and Ryl and almost everybody. She had a face covered with wrinkles and a body like a dried stick. But her dark eyes were full of wisdom. She was the clan’s shaman. She was the one who interceded directly with the Earth Goddess, the Bright Mother, the Giver of Life who was above all other spirits. She listened to the story seriously, sitting on her leather pallet while the others crowded around her. Hana edged close to her and Ryl was placed in her lap. â€Å"They want to kill him,† Hana murmured in the old woman’s ear when the story was over. â€Å"But look at his eyes. I know he’s sorry, and I think maybe he didn’t mean to hurt Ryl. Can you talk to him, Old Mother?† Old Mother knew a lot of different languages; she’d traveled very far when she had been young. But now, after trying several, she shook her head. â€Å"Demons don’t speak human languages,† Arno said scornfully. He was standing with his spear ready . although the stranger squatting in front of the old woman showed no signs of trying to run away. â€Å"He’s not a demon,† Old Mother said, with a se–veie glance at Amo. Then she added slowly, â€Å"But he’s certainly not a man, either. I’m not sure what he is. The Goddess has never told me anything about people like him.† â€Å"Then obviously the Goddess isn’t interested,† Arno said with a shrug. â€Å"Let the hunters take care of him.† Hana gripped the old woman’s thin shoulder. Old Mother put a twiglike hand on Hana’s. Her dark eyes were grave and sad. â€Å"The one thing we do know is that he’s capable of great harm,† she said softly. â€Å"I’m sorry, child, but I think Arno is right.† Then she turned to Arno. â€Å"It’s getting dark. We’d better shut him up somewhere tonight; then in the morning we can decide what to do with him. Maybe the Goddess will tell me something about him as I sleep.† But Hana knew better. She saw the look on Arno’s face as he and the other hunters led the stranger away. And she heard the cold and angry muttering of others in the clan. In the morning the stranger would die. Unpleasantly, if Arno had his way. It was probably what he deserved. It was none of Hana’s business. But that night, as she lay on her leather pallet underneath her warm furs, she couldn’t sleep. It was as if the Goddess were poking her, telling her that something was wrong. Something had to be done. And there was nobody else to do it. Hana thought about the look of anguish in the stranger’s eyes. Maybe †¦ if he went somewhere far away †¦ he couldn’t hurt other people. Out on the steppes there were no people to hurt. Maybe that was what the Goddess wanted. Maybe he was some creature that had wandered out of the spirit world and the Goddess would be angry if he were Jailed. Hana didn’t know; she wasn’t a shaman fef. All she knew was that she felt pity for the stranger and she couldn’t keep still any longer. A short time before dawn she got up. Very quietly, she went to the back of the cave and picked up a spare waterskin and some hard patties of traveling food. Then she crept to the side cave where the stranger was shut up. The hunters had set a sort of fence in front of the cave, like the fences they used to trap animals. It was made of branches and bones lashed together with cords. A hunter was beside the fence, one hand on his spear. He was leaning back against the cave wall, and he was asleep with his mouth open. Hana edged past him. Her heart was pounding so loudly she was certain it would wake him up. But the hunter didn’t move. Slowly, carefully, Hana pulled one side of the fence outward. From the darkness inside the cave, two eyes gleamed at her, throwing back the light of the fire. Hana pressed fingers against her mouth in a sign to be quiet, then beckoned. It was only then that she realized exactly how dangerous what she was doing was. She was letting him out-what was to stop him from rushing past her and into the main cave, grabbing people and biting them? But the stranger did no such thing. He didn’t move. He sat and his two eyes glowed at Hana. He’s not going to come, she realized. He won’t. She beckoned again, more urgently. The stranger still sat. Hana’s eyes were getting used to the darkness in the side cave and now she could see that he was shaking his head. He was determined to stay here and let the clan kill him. Hana got mad. Balancing the fence precariously, she jabbed a finger at the stranger, then jerked a thumb over her shoulder. You-out! the gesture meant. She put behind it all the authority of a descendant of Old Mother’s, a woman destined to be co-leader of the clan someday. And when the stranger didn’t obey immediately, she reached for him. That scared him. He shrank back, seeming more alarmed than he had at anything else that had happened so far. He seemed afraid for her to touch him. Afraid he might hurt me, Hana thought. She didn’t know what put the idea into her mind. And she didn’t waste time wondering about it. She simply pressed her advantage, reaching for him again, using his fear to make him go where she wanted him to. She herded him into the main cave and through it. They both moved like shadows among the shelters built along either side of the cave, Hana feeling certain that they were about to be caught any minute. But nobody caught them. When they got outside she guided him toward the river. Then she pointed downstream. She put the food and the waterskin in his hands and made far-flung gestures that meant, Go far away. Very far away. Very, very far. She was going into a pantomime indicating what Arno would do with his spear if the stranger ever came back when she noticed the way he was looking at her. The moon was up and so bright that she could see every detail of the strange boy’s face. And now he was looking at her steadily, with the quiet concentration of a hunting animal, a carnivore. At the same time there was something bleak and terribly human in his eyes. Hana stopped her pantomime. All at once, the space around the cave seemed very large, and she felt very small. She heard night noises, the croaking of frogs and the rushing of the river, with a peculiar intensity. I should never have brought him out here. I’m alone with him out here. What was I thinking? There was a long pause while they stood looking at each other silently. The stranger’s eyes were very dark, as bottomless and ageless as Old Mother’s. Hana could see that his eyelashes were long and she realized again, dimly, that he was handsome. He lifted the packet of traveling food, looked at it, then with a sudden gesture he threw it on the ground. He did the same with the waterskin. Then he sighed. Hana was bristling, going from fear to annoyance and back again. What was he doing? Did he think she was trying to poison him? She picked up the food packet, broke a piece of traveling food off and put it in her mouth. Chewing, she extended the packet toward him again. She made gestures from packet to mouth, saying out loud, â€Å"You need to eat, food. Eat! Eat!† He was watching her steadily. He took the packet from her, touched his mouth, and shook his head. He dropped it at his feet again. He means it isn’t food to him. Hana realized it with a shock. She stood and stared at the strange boy. The food isn’t food to him and the water isn’t drink. But Ryl’s blood †¦ he drank that. Blood is his food and drink. There was another long pause. Hana was very frightened. Her mouth was trembling and tears had come to her eyes. The stranger was still looking at her quietly, but she could see the fangs indenting his lower lip now and his eyes were reflecting moonlight. He was looking at her throat. We’re out here alone †¦ he could have attacked me at any time, Hana thought. He could attack me right now. He looks very strong. But he hasn’t touched me. Even though he’s starving, I think. And he looks so grieved, so sad†¦ and so hungry. Her thoughts were tumbling like a piece of bark tossed on the river. She felt very dizzy. It hurt Ryl†¦ but it didn’t kill Ryl. Ryl was sitting up and eating before we all went to sleep tonight. Old Mother said she’s going to get well. If it didn’t kill her, it wouldn’t kill me. Hana swallowed. She looked at the strange boy with the glowing animal eyes. She saw that he wasn’t going to move toward her even though a fine trembling had taken over his body and he couldn’t seem to look away from her neck. What good does it do to send him off starving? There’s no other clan near here. He’ll just have to come back. And I was right before; he doesn’t want to do it, but he has to do it. Maybe somebody put a curse on him, made it so he starves unless he drinks blood. There’s nobody else to help him. Very slowly, her eyes on the stranger, Hana lifted the hair from one side of her neck. She exposed her throat, leaning her head back slightly. Hunger sparked in the strange boy’s eyes-and then something blazed in them so quickly and so hot that it swallowed up the hunger. Shock and anger. He was staring at her face, now, not her neck. He shook his head vehemently, glaring. Hana touched her neck and then her mouth, then made the far-flung gestures. Eat. Then go away. And for the Goddess’s sake, hurry up, she thought, shutting her eyes. Before I panic and change my mind. She was crying now. She couldn’t help it. She clenched her fists and her teeth and waited grimly, trying to hang on to her resolve. When he touched her for the first time, it was to take her hand. Hana opened her eyes. He was looking at her with such infinite sadness. He smoothed out her fist gently, then kissed her hand. Among any people, it was a gesture of gratitude†¦ and reverence. And it sent startling tingles through Hana. A feeling that was almost like shivers, but warm. A lightness in her head and a weakness in her legs. A sense of awe and wonder that she’d only ever felt before when Old Mother was teaching her to communicate with the Goddess. She could see startled reaction in the stranger’s eyes, too. He was feeling the same things, and they were equally new to him. Hana knew that. But then he dropped her hand quickly and she knew that he was also afraid. The feelings were dangerous-because they drew the two of them together. One long moment while they stood and she saw moonlight in his eyes. Then he turned to go. Hana watched him, her throat aching, knowing he was going to die. And somehow that wrenched her insides in a way she’d never experienced before. Although she kept herself standing still, with her head high, she could feel the tears running down her cheeks. She didn’t know why she felt this way-but it hurt her terribly. It was as if she were losing something†¦ infinitely precious†¦ before she’d had a chance to know it. The future seemed gray, now. Empty. Lonely. Cold and desolate, she stood by the rushing river and felt the wind blow through her. So alone†¦ â€Å"Hannah! Hannah! Wake up!† Someone was shouting, but it wasn’t a voice from her cave. It sounded-faraway-and seemed to come from all directions, or maybe from the sky itself. And it was saying her name wrong. â€Å"Hannah, wake up! Please! Open your eyes!† The faraway voice was frantic. And then there was another voice, a quiet voice that seemed to strike a chord deep inside Hana. A voice that was even less like sound, and that spoke in Hana’s mind. Hannah, come back. You don’t have to relive all this. Wake up. Come back, Hannah-now. Hana of the Three Rivers dosed her eyes and went limp. How to cite Night World : Soulmate Chapter 5, Essay examples

Emily Bronte wuthering heights Essay Example For Students

Emily Bronte wuthering heights Essay Evidence for Cathys confinement in narcissism can be found in language describing her infantilism. She is referred to as a wailing child. (162) However, the most important evidence can be found in Cathys own speech when she says:- But I begin to fancy you dont like me. How strange! I thought, though everybody hated and despised each other, they could not avoid loving me and they have al turned to enemies in a few hours. (159) Cathys narcissistic self love is a response to being denied a life and a story of her own. The mirror is a psychoanalytic symbol for narcissism and in Wuthering Heights Cathy is continuously straining her gaze towards the glass. (161) For Cathy, it is not a mirror, it is a black press. (161) Black has resonances of an empty space, whereas a press could be a printing press for printing Cathys story. Cathys misrecognition reinforces the notion, however, that she has no story to print, since her life is empty like a black hole. Ellen says: There is no press in the room and never was. (161) In other words, Cathy has never had a story to tell. Nonetheless, Cathy still attempts to find her own story when she runs to the window and opens it. Cathy is greeted by the frosty air of an unfeeling patriarchy, which cut about her shoulders, symbolically decapitating Cathy with a metaphorical phallic knife (164). The implication being that in confining Cathy to the role of angel, her mind and body have been separated and Cathy is left as all women were with only her body. Cathys starvation of her body is a form of revenge against patriarchy. Since, by starving herself as well as her unborn child, she is denying patriarchys definition of her as a mere reproductive being. This rejection of her body links with anorexia nervosa, which is induced by feelings of powerlessness and rage. Therefore, her starvation could be interpreted as an attempted to reduce her body back to its childhood shape or, rather, an attempt to return to childhood: I wish I were a girl again, half savage and hardy and free .. Im sure I should be myself were I once among the heather on those hills. (163) It could be said that it is a desire to return to the pre-thetic and unite with the beloved, Heathcliff, so that she can reconstruct her true identity. In frustration, Cathy attempts to deconstruct the identity patriarchy has constructed for her when she tears open the pillow and begins to rip apart its contents by separating the feathers into their different species: Tossing about she increased her feverish bewilderment to madness, and tore the pillow with her teeth, she seemed to find childish diversion in pulling the feathers from the rents she had just made, and ranging them on the sheet according to their different species (160) Cathys naming of the individual feathers, its a lapwingss (160) is a re-enactment of what Gilbert and Gubar refer to as the deconstruction of the dead self that is a male opus', in order for Cathy to rediscover her living, inconstant self. 1 In addition, Heathcliffes sadism suggest that he is Cathys sadistic Other. The birds being starved to death by Heathcliffe is the equivalent to Cathys masochistic act of starving herself. It could be said that it is a kind of assertiveness, that this is the monster in Cathy. However, Cathys attempt to re-assert herself through starvation could not be called a significant and positive action against her oppressor, rather she is taking a negative action, because she has turn the monster against herself. Cathys confinement in narcissism has internalized her former positive fiery assertiveness and transformed it into a negative sadomasochistic fire that is consuming her. (162) Despite her misguided negative assertiveness, Cathy does achieve some kind of freedom, but not an identity or a story. .u9b18f2321e75b3eb67f5a2cd1a7102c4 , .u9b18f2321e75b3eb67f5a2cd1a7102c4 .postImageUrl , .u9b18f2321e75b3eb67f5a2cd1a7102c4 .centered-text-area { min-height: 80px; position: relative; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 , .u9b18f2321e75b3eb67f5a2cd1a7102c4:hover , .u9b18f2321e75b3eb67f5a2cd1a7102c4:visited , .u9b18f2321e75b3eb67f5a2cd1a7102c4:active { border:0!important; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .clearfix:after { content: ""; display: table; clear: both; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9b18f2321e75b3eb67f5a2cd1a7102c4:active , .u9b18f2321e75b3eb67f5a2cd1a7102c4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .centered-text-area { width: 100%; position: relative ; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9b18f2321e75b3eb67f5a2cd1a7102c4:hover .ctaButton { background-color: #34495E!important; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9b18f2321e75b3eb67f5a2cd1a7102c4 .u9b18f2321e75b3eb67f5a2cd1a7102c4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9b18f2321e75b3eb67f5a2cd1a7102c4:after { content: ""; display: block; clear: both; } READ: Flight - creative writitng EssayTowards the end Cathy declares: My resting-place where Im bound before Spring is over! There it is, not among the Lintons, mind, under the chapel-roof; but in the open air with a headstone. (165) Here, Cathy is denying both the bourgeois family and the religious authorities which have established a believe in the bourgeois family ideal. It is a final relation against the many faces of patriarchy, but it is a relation which has come too late. 1. Sandra Gilbert and Susan Gubar, The Madwoman in the Attic p. 17.